Monthly Archives: January 2016

FOUR MORE ASSORTED FILMS

I’ve just added four more film reviews, three written for RIU and one penned for both RIU and The Adelaide Review, so you can read all about…

Dan Mazer’s DIRTY GRANDPA here.

Sue Brooks’ LOOKING FOR GRACE here.

Lenny Abrahamson’s ROOM here.

And Tom McCarthy’s SPOTLIGHT here.

ANOTHER GIGANTIC POST-HOLIDAY CATCH-UP

I’m still catching up on pieces penned over the holiday season, and I’ve just added five film reviews written for RIU, one film review undertaken for The Adelaide Review, five book reviews knocked off for The Clothesline Digital Arts Magazine and two of my DVD reviews from that site too.

And they are (deep breath)…

FILM

J. Blakeson’s THE 5TH WAVE is here.

Adam McKay’s THE BIG SHORT is here.

Todd Haynes’ CAROL is here.

Tom Hooper’s THE DANISH GIRL is here.

Rob Letterman’s GOOSEBUMPS is here.

and Quentin Tarantino’s THE HATEFUL EIGHT is here.

BOOKS

1,234 QI FACTS TO LEAVE YOU SPEECHLESS is here.

Amy Simmons’ contribution to the ‘Devil’s Advocates’ series, ANTICHRIST, is here.

Tiffany Watt Smith’s THE BOOK OF HUMAN EMOTION(S): AN ENCYCLOPEDIA OF FEELING FROM ANGER TO WANDERLUST is here.

David Cavanagh’s GOOD NIGHT AND GOOD RIDDANCE: HOW THIRTY-FIVE YEARS OF JOHN PEEL HELPED SHAPE MODERN LIFE is here.

And Sophie Hannah’s THE VISITORS BOOK AND OTHER GHOST STORIES is here.

AND DVDS

Shock DVD’s THE DOORS COLLECTION is here.

And, finally, Shock DVD’s THE ROLLING STONES COLLECTION is here.

AND WE’RE BACK FOR 2016!!!

After a much-needed break I’m back and I’ve just added no less than ten articles written over the Christmas and New Year’s period: one Adelaide Review interview, one Adelaide Review film write-up and eight Rip It Up online reviews. And they’re as follows…

Eric Lartigau’s lovely THE BÉLIER FAMILY (LA FAMILLE BÉLIER) is here.

And my interview with Eric Lartigau for that film is here.

Sean Anders’ dopey DADDY’S HOME is here.

Peter Sohn’s Pixar/Disney effort THE GOOD DINOSAUR is here.

David O. Russell’s somewhat flawed JOY is here.

Steve Martino’s much-anticipated THE PEANUTS MOVIE is here.

Ericson Core’s self-important rehash of POINT BREAK is here.

Alejandro Gonzalez Iñárritu’s astonishing THE REVENANT is here.

Zach Clark’s decidedly unhappy Xmas pic WHITE REINDEER is here.

And, finally, Paolo Sorrentino’s much-overrated YOUTH is here.